arturia audiofuse review

The ability to use separate headphone feeds for performer and engineer is important in a lot of home and location recording scenarios, so the AudioFuse also scores heavily over most other desktop interfaces by enabling this. Price engine . Unlike a half brick, it’s festooned with buttons, white LEDs and dials, and has a snug fitting lid to protect it from damage in transit. Even so, there isn’t quite enough juice available on the bus to run it at full tilt, so you have to select one of three compromises involving reduced output headroom or disabling inputs. One knob thus controls the global balance between directly monitored signals and those emanating from the computer, and does so for all the outputs, no matter which of the cue buses they’re picking up. In standalone mode with no computer it’s especially helpful. AudioFuse Studio is a joy to use, and its results are top notch. Arturia’s Next-gen Interface Just Got Better. These include clocking and digital input settings, talkback mic gain and routing, and gain controls for inputs 3/4. Review this product Prices & More Info More Interfaces Tools 422 Oops! With this driver, the system latency is determined not only by the buffer size setting but also by a second menu which offers a series of modes from ‘Minimum Latency’ to ‘Extra Safe’. 08th June 2017. The frequency-response plot suggests that the -3dB points lie below 5Hz and above 100kHz, and that the preamps are flat to ±0.06dB within 20Hz-20kHz. Web site designed & maintained by PB Associates & SOS. The idea that not having to do this is an advantage seems especially tenuous given that everyone will need to install the Arturia Control Center utility — and that on Windows, the Control Center installer includes an ASIO driver, which is necessary to use the device with most audio software! Personally, I’ve never found audio interface drivers more fiddly to install than anything else, and I’m perfectly happy to do so if custom drivers will give me better performance. I used the AudioFuse 8Pre as my studio interface during the testing period for this review, and I was definitely impressed with the results, especially considering the relatively affordable price. Excellent workflow and design. Arturia AudioFuse Advanced Audio Interface. All contents copyright © SOS Publications Group and/or its licensors, 1985-2021. The rear of the AudioFuse is where most of the action is, with connections for MIDI I/O, word clock, S/PDIF and ADAT, three USB A ports, phono inputs, a ground connector, and a host of quarter-inch jack sockets for audio I/O.The second pair of analogue inputs are duplicated on quarter-inch jacks and phonos. It combines a very compact form factor with a lot of connectivity. Arturia’s first foray into the world of audio interfaces squeezes a huge amount of connectivity into a compact desktop box. Each has its own analogue gain control, along with switchable phantom power, polarity inversion and pad. Classified Ads. You also get a zero latency mixer, MIDI I/O and a three-port USB2 hub on the back panel. No drivers needed, the unit was immediately visible on our Apple and it run with no problems straight away. The market for audio interfaces is fairly awash with options so it may surprise some to find Arturia releasing the AudioFuse 8Pre. The AudioFuse presents up to 16 inputs to your recording software: four analogue inputs, stereo S/PDIF, up to eight ADAT channels depending on sample rate, and another two-channel input which carries the mono talkback input on both channels. I also found that any channels I muted in the mixer invariably unmuted themselves after a few minutes. Arturia AudioFuse Advanced Audio Interface, 2 DiscretePRO microphone preamps, 3-port USB hub, 24-bit next-generation A-D/D-A converters at up to 192kHz sampling rate, PC, Mac, iOS, Android compatibility, A/B speaker switching, Direct monitoring On the plus side, its class compliance does mean that the AudioFuse is compatible with Linux, Android and iOS as well as Mac OS and Windows. That said, the AudioFuse proved perfectly stable and reliable in use, and although the limitations of its direct monitoring are occasionally frustrating, it’s more than capable of taking most simple recording jobs. The lowest possible latency is achieved by selecting Minimum Latency and the smallest 64-sample buffer size. It took a while—the prototype was shown at Winter NAMM 2015—but in the end, the AudioFuse was worth the wait. Solid build. A bunch of cables are provided and you get two independent headphone outs with both large and small jacks, so no adaptors required. The latest video from loopop takes a look at the Arturia AudioFuse audio interface, and demonstrates it with a variety of electronic music gear and connections. Adjacent to this is a socket for the supplied PSU; neither the power nor the USB socket uses a locking connector, but they mate pretty securely. Arturia make great claims for its sound quality, and although it doesn’t quite match rivals such as the UA Apollo Twin MkII in the specs department, it’s definitely no slouch. Pros: Incredible selection of I/O. With its built-in speaker switching, mono buttons and talkback, it offers as much monitor control as most of us are ever likely to need. Re: Royalty / License Fee Income for Independent Music ... Re: Question about LFO Control in effects pedals. The phono preamp is a really nice touch for anyone who might want to sample from vinyl, or indeed just digitise their record collection, and has a separate grounding point for turntables that need one. Review: Arturia AudioFuse 8 Pre Hollin Jones on Nov 26, 2019 in Review | 0 comments. Hollin Jones on Tue, November 26th 0 comments. Respect to Arturia. https://futuremusic.com/2020/10/02/arturia-audiofuse-studio-review I tested it with microphones, guitars, different headphones. Share: Arturia's flagship audio interface is designed to work in a number of different modes to fit the way you make music. It’s solidly built, but although Arturia describe it as having “a great-looking exterior”, I thought it a bit too dumpy and crowded to be considered beautiful. Arturia AudioFuse is available in Deep Black, Space Grey and Classic Silverfinishes. The third-party Windows driver they’ve licensed offers unstellar low-latency performance without really yielding the benefits that Arturia promise. The Control Center presents a single pane, the central section of which reproduces the top panel of the AudioFuse. The numerous connections make AudioFuse Studio extremely flexible: MIDI, CV, optical, coaxial, Bluetooth, clock signals, a USB hub and has an extremely high-quality microphone preamplifier. Unlike a half brick, it’s festooned with buttons, white LEDs and dials, and has a snug fitting lid to protect it from damage in transit. "The sound of the Arturia AudioFuse Studio is truly outstanding and of course it provides latency-free monitoring. It’s all perfectly usable, but given the company’s heritage as developers of soft synths, I could have wished that low-latency driver performance was further up Arturia’s list of priorities. In other words, assuming you are using the AudioFuse in its default configuration, the main output and both headphone outputs can each be addressed separately by your DAW, but only a single mix of the direct signals is available, and each output receives this at the same level, or not at all. The preamps are a cut above those found in bog-standard computer interfaces, with a wider gain range and smooth, non-bunching gain potentiometers, while the quarter-inch inputs bypass the preamp stage, thus ensuring the cleanest possible input from line-level sources. However, if — like mine — your PC won’t run the AudioFuse at that setting, the next ‘approved’ pairing is 128 samples and Low Latency, at which point the round-trip latency leaps to 12.2ms. The price may seem high for what is physically a small-ish unit, but you’re paying for very high quality, an incredibly flexible and powerful feature set, and top grade results. Arturia AudioFuse Review. The global balance control and the additional ‘cue bus’ layer of abstraction between computer and speakers compromise the AudioFuse’s ease of use somewhat, but they don’t add greatly to its flexibility: there’s only one direct monitor mix, and only having the one balance control between that and the computer playback is quite limiting. Let’s Get Connected. Pressing the Arturia button calls up the software control centre when connected to a computer, from where you can manage routing and setup via a well-designed software interface. In Use: Setting it up straight from the box was a breeze. Review: Arturia AudioFuse 8 Pre. Let’s find out. Controls that appear in both hardware and software are mirrored, so pressing a physical button on the AudioFuse makes its virtual counterpart light up, and vice versa. Standalone mode. Create an account or login to get started! On the output side, there are two pairs of quarter-inch jacks labelled Speaker A and Speaker B, which are switched from the top panel. And this is where things can get complicated, or at least, where they sometimes felt that way to me. The rear of the AudioFuse is where most of the action is, with connections for MIDI I/O, word clock, S/PDIF and ADAT, three USB A ports, phono inputs, a ground connector, and a host of quarter-inch jack sockets for audio I/O. There are four Discrete Pro preamps that offer an equivalent input noise of -129dBu and a dynamic range of 119dB which is very impressive and pre-fader listen available on each one. The AudioFuse comes with an ‘Achievement Certificate’ containing Audio Precision measurements of each preamp’s equivalent input noise, frequency response and gain range. 00 Hollin Jones finds out if Christmas has come early'¦ Following its ultra-compact AudioFuse and the larger, studio-oriented AudioFuse 8Pre, Arturia has released AudioFuse Studio which in size terms sits somewhere between the two, while adding some unique features of its own. It’s as though Arturia’s designers asked everyone they knew to submit feature requests, then decided to implement all of them. And it looks like Arturia finally got smart and made the new AudioFuse Studio quite a bit larger (more than twice the size of two original AudioFuse units put together), and also added quite a few air vents to aid in cooling. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. This isn’t particularly impressive compared with the results that manufacturers such as RME, Focusrite and MOTU are achieving with their custom USB drivers. Ask.Audio is your ultimate daily resource covering the latest news, reviews, tutorials and interviews for digital music makers, by digital music makers. In this episode we will check out Arturia’s first Audio Interface “Audiofuse”. At its heart, the Arturia AudioFuse Studio is an 18 in … Product presentation . Arturia's latest interface has a dizzying array of features. Question about LFO Control in effects pedals, The All-New Behringer Keyboards 'n' Stuff Thread. Recording latency was extremely low in my tests. Although it’s a desktop interface, and a relatively compact one at that, the AudioFuse is incredibly feature-rich. Arturia's latest interface has a dizzying array of features. The latter are intended for attaching a turntable, while the jacks operate at line level, though one of them can also be switched to act as an additional high-impedance input for connecting electric guitars and the like. Direct monitoring is implemented using a pretty basic digital mixer, which gives you fader, pan, solo, mute and channel linking controls for all the analogue and digital inputs (apart from the talkback mic). Many of the possible combinations of buffer size and mode result in a warning that you shouldn’t have selected them, which makes you wonder why they are available in the first place. Unusually, not only are there two headphone outputs, but each has both a full-sized and a mini-jack socket. The AudioFuse is a tiny little unit, but as its £500+ price tag suggests, it’s a fairly serious bit of kit. The complete AudioFuse I/O count includes four analogue inputs and four outputs, plus two headphone outs. This is hardly unusual, but their insistence that it was a positive decision which brought benefits for the user was a bit hard to swallow, and at the time, low-latency performance on Windows was pretty mediocre. These slightly counter-intuitive routing arrangements mean that the AudioFuse isn’t quite as easy to get to grips with as some of the desktop interfaces I’ve tried. The AudioFuse’s aluminium case seems to do duty as a heat sink, and gets uncomfortably warm after extended use. If you need a Swiss Army knife of the audio world, the AudioFuse has more blades than most. The Arturia AudioFuse Rev2 is an exciting update of Arturia’s next-gen audio interface. Direct monitoring arrangements are complicated without being very flexible. I owned four recording interfaces before starting this review; now it might be five! editorial review. Over the years, they’ve made numerous products that are designed to integrate with Macs and PCs, but the AudioFuse is the first fully fledged audio interface to emerge from their Grenoble HQ. There’s a total of 18 ins and 20 outs split across 4 mic inputs, 8 line ins, 2 line outs and 2 pairs of monitor outs, ADAT, S/PDIF, a reamping output, talkback with a built-in mic and a phono facility with preamp. It still has to be installed, and as far as I can see, it’s still a proprietary driver, just not one developed or controlled by Arturia! First off is the physical object itself, which is a 1U unit which cleverly has rack-mount ears which can be mounted at 90 degrees, to provide a good desktop solution (raising the controls off the desk for easy access). This is Arturia’s first entry into the world of audio interface design, and their main focus has obviously been on the hardware side of things rather than coding bespoke low-latency drivers. By default, the Main bus appears at whichever of the Speaker A and B outputs is selected, while the Cue 1 and Cue 2 buses are routed to the two headphone outputs. Good software selection is bundled. Hollin Jones on May 18, 2020 in Review 0 comments. The smaller AudioFuse also has Bluetooth though I haven’t tested that model, but here it works brilliantly and it’s nice not to have to fiddle with cables to get signal from the phone into the device. Yet all this functionality has been packed into something about half the size of your average house brick. Unusual features such as built-in USB hub and turntable input. Despite looking like a two-in, two-out entry-level interface from the front, the back panel hosts a wealth of sockets, offering a huge range of connection types, both analogue and digital. The S/PDIF output can duplicate either of these, which could be useful if you have monitors with a digital input. A sometime lecturer in videographics, music production and photography post production, Hollin has been a freelance w... Read More. The AudioFuse is a next- generation USB audio interface designed to optimize workflow, connectivity, latency, and … Monitor control likewise goes well beyond the ordinary, with speaker switching, talkback, mono and dim functions all accessible at the press of a button. The Arturia AudioFuse 8Pre is a dual-mode interface and ADAT expander which boasts 8 channels of premium analog audio, rock-solid sync, USB-C, and optical connectivity. Stream audio over Bluetooth. Arturia AudioFuse Review. Each also has its own mono button, which acts independently of the one affecting the main output; on the review unit, these did not apply the correct attenuation to the summed signal, but this should have been fixed in a firmware update by the time you read this. So far, this is all reasonably logical, but the way in which these interact with the direct monitoring is unconventional. Its >131.5dB A-weighted EIN rating guarantees the widest dynamic range for your audio, class-leading signal-to-noise ratios on the pre-amps and the purest discrete analog signal paths to ever grace an audio interface. Like every other interface I’ve tested that uses this driver, the lowest 32-sample buffer size yields a reported round-trip latency of 5.6ms in Reaper at 44.1kHz sample rate, and a loopback test confirmed that the actual latency is only 10 samples or so greater than the reported value. "certainly had no complaints about audio quality after working with the AudioFuse—it was impeccable. Input sources are connected using ‘combi’ mic/XLR sockets on the front panel of the unit, which automatically sense whether an XLR or a jack is plugged in. It’s rapidly becoming a bit of a cliche to point out how seamlessly Arturia have made the transition from software specialists to software-and-hardware all-rounders, but sometimes cliches are justified. Despite its compactness, it offers an extremely comprehensive selection of I/O. Consequently, the AudioFuse’s main strengths are its audio performance and the way it packs a huge range of I/O types into a very portable box. The MIDI ports for connecting external gear are mini versions, but adapters are provided. buttons to let you switch between speaker outputs and also 3 different audio sources. Write a user review. Q. ASIO is not a Microsoft standard, so the AudioFuse uses the same third-party OEM driver that all the above mentioned devices employ. Generous choice of ports. There are no physical gain controls for these inputs, but level adjustment is available in the unit’s control panel software. Like a half brick, the AudioFuse is squarish, rather heavy for its size, and comes in several different colours. Review by Mike Metlay. Prices starting at $799 Average price: $799. Good stuff for your getting-there professional home workflows. Arturia's flagship audio interface is designed to work in a number of different modes to fit the way you make music. It looks as though they’ve implemented the ‘dimmed’ setting by strobing the LEDs, which then flicker in a mildly distracting fashion. Oh, and the AudioFuse also acts as a three-port USB hub. The gain range runs from 2dB-75dB, which should be more than adequate for every conceivable purpose. However, once you get a feel for what goes where, you begin to appreciate how much Arturia have packed into this little box, and how much of it is directly controllable from the top panel. French manufacturers Arturia are probably best known for their synths and drum machines, but they have plenty of expertise in developing computer software and hardware. An effective implementation of direct monitoring always involves a trade-off between versatility and simplicity. This is very popular among manufacturers, but I don’t share their enthusiasm for it: it’s opaque and confusing to set up, and offers fairly lacklustre performance. DAW software ‘sees’ three stereo outputs, but these are not hard-wired to particular outputs: they are, in effect, buses, which can be routed in various different ways depending on the AudioFuse’s configuration. Registering the hardware also gets you the AudioFuse Creative Suite of plug-ins, comprising seven excellent mixing plugs - preamps, compressor, tape delay, reverb - and the Analog Lab Lite instrument. However, any of these outputs can be switched to pick up any of the other buses instead, and it’s also possible to set things up so that the Speaker B output duplicates the second headphone output rather than acting as an alternate speaker output, thus giving you a total of four independent line outs. For space reasons, the MIDI sockets are on mini-jacks, with short adaptor cables terminating in five-pin DIN connectors supplied. To balance things out, the Control Center sports a number of software-only controls for which space could not be found on the AudioFuse itself. They have a stronger case on Mac OS, given that Apple’s Core Audio USB driver is both pretty good and truly generic, but it’s still not as fast as custom drivers from manufacturers like RME and MOTU, and nor does it rival the performance of typical Thunderbolt interfaces. Competition in the world of desktop interfaces is becoming increasingly fierce, but the AudioFuse is perhaps the most versatile such interface yet, with several genuinely unique features. To start with it can be used with or without a computer and powers over the mains, its power requirements being too high for USB which is common in more capable interfaces such as this. Like a half brick, the AudioFuse is squarish, rather heavy for its size, and comes in several different colours. Arturia AudioFuse 8PRE audio interface review + Arturia AudioFuse 8Pre. Like many other USB audio interfaces, the AudioFuse is class-compliant, and Arturia claim as a benefit that there are: “No fiddly driver installations — we’ve made the decision to use generic drivers and worldwide USB2 to ensure you’re always ready to record, unlike proprietary drivers that need to be developed and maintained after each operating system update.” Which, to my mind, is a bit like a sports-car maker explaining that they’ve chosen to use Ford Fiesta engines instead of designing their own, because there are lots of spares available in case they ever go wrong. Arturia expands its AudioFuse line of USB audio interfaces with the 8Pre, a versatile single rack space unit eight input preamp/audio interface that has up to eight channels of ADAT I/O, plus USB-C connectivity.My testing for this handsome "dual-mode" unit included use cases as both a standalone interface and an eight-in/eight-out 24-bit/96 kHz ADAT expander for my other interfaces. The re-amping functionality is likewise both practical and useful. Web:  https://www.arturia.com/products/audio/audiofuse-studio/overview, Hollin Jones was classically trained as a piano player but found the lure of blues and jazz too much to resist. Your recording software can also address the ADAT or S/PDIF digital outputs directly, but when it comes to the analogue outputs, there is an extra layer of abstraction. Check the video for an unboxing, overview of connections as well as latency and noise level tests. These sources are mixed down to a single stereo output, which can then be routed to any or all of the Main, Cue 1 or Cue 2 monitoring buses. Designed to optimize your workflow, the Arturia AudioFuse Rev2 is built on a meticulously designed, symmetrical audio chain. It’s truly portable, but really does cater for almost all the possible input sources you’re ever likely to encounter, with the option of adding extra preamps over ADAT or S/PDIF should you need to up the channel count. Arturia Audiofuse Review. 4.5 out of 5, based on 1 Review Audiofuse is Arturia's first foray into the audio interface market. This is shocking if you consider the unit retails at around £500. Pristine studio quality is at the heart of AudioFuse, with each of its components promising the highest possible audio excellence. A nice touch is the inclusion of a USB hub offering three full-sized Type A sockets, which are perfect for connecting iLok dongles and the like. Plus it comes with some cool software, as Hollin Jones discovered. The first of these is given as -131dBu, which would be even more impressive if they hadn’t chosen to quote an A-weighted measurement. You may login with either your assigned username or your e-mail address. These are complemented by an optical digital input and output, a pair of RCA phonos which can be used for either S/PDIF or word-clock in and out, and MIDI in and out. A deep dive into the Arturia AudioFuse investigating the driver and latency performance with playback, input monitoring and VST Instrument performance. Reviews. The odd part is that the stereo output from this mixer is fed back into the monitoring path in the analogue domain, using a single balance control. So, for example, not only does it incorporate conventional mic, line and instrument inputs, but you can also connect a turntable, while one of the line outputs also does duty as a re-amp out for guitar recording. It uses the aptX codec which is very high quality, and it’s a nice addition. At 44.1kHz, Oblique Audio’s RTL Utility reported the round-trip latency as being 7.3ms. Reviews Studio & Recording Gear Review: Arturia AudioFuse 8Pre The latest addition to Arturia’s interface range looks impressive, but does it push the boundaries of budget multi-channel preamp recording and meet Arturia’s award-winning lineage of high-end analog quality? Can I reduce latency when using Dante Via and Cubase?

Jeff Bezos Wife And Kids, Composite Decking For Boat Trailer Bunks, Watch Fahrenheit 451 Original Movie, How Much Does A 6100 Trophy Truck Cost, What Happened To Cgp Grey, Kenshi How To Escape Slavery,